Horror Movies

‘Crimson Peak’: del Toro Film Too Slow In The Cold Snow

The Final Girls: Meta-Horror A Funny Heartfelt Future Classic

Review: ‘Green Room’

‘Knock Knock’: Roth’s New Film is Door You Want To Answer

Forget ‘Hellions’… Watch ‘Pontypool’!

Why Was Robert De Niro’s Max Cady Such a Terrifying Villain?

‘The Company of Wolves’: A Journey Through the Gothic Forest

‘The Green Inferno’: Roth’s Return A Résumé-Tainting Misfire

What Did I Just Watch: ‘Deathdream’

‘Cooties’: Makes Audience Sick With Cinematic Germs

Upcoming ‘Goosebumps’ Film Looks to Bring Nostalgia to Fans of Series

‘The Visit’: Future Classic Puts Shyamalan Back On Map

How ‘Death Proof’ is an Unsung Horror Masterpiece

What Did I Just Watch: ‘Bloody Birthday’

‘Shocker’: Insanely Stupid Yet Extremely Fun Craven Classic

Watch the 10 Best Public Domain Horror Films on the Net

Five Stephen King Adaptations That Need a Remake

They Live: Thinking-Man’s Sci-Fi Is A True Carpenter Classic

20 Best Found Footage Horror Films

Fantastic Fest Announces 2015 Shorts Programming

‘Prince Of Darkness’: An Underrated Entry In Filmmaker’s Canon

Girls Rule and Boys Drool in ‘Backcountry’

1428 Elm: Our First Wes Craven Films

1428 Elm: The Movies That Introduced Us to Horror

‘The Exorcist’ Revisited

‘Casper’: Still Fine Film Regardless Of Flaws

‘Wind Walkers’: Final Title Revealed For After Dark Horrorfest

20 Years Later: David Fincher’s ‘Se7en’ Remains One of the Scariest Thrillers of All Time